Monstrous Monday: Armored Arachnid, Gohma

I promised a boss monster last week, and I plan to deliver! That’s why I’m giving you guys the mother of arachnids, Gohma! That’s right, this little lady right here.

Queen-gohma-Ocarina-of-Time-by_sulamoon

Continue reading “Monstrous Monday: Armored Arachnid, Gohma”

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Monstrous Monday: The Dodongo

And finally, we reach the dodongo! The big challenge with this one was to create a monster with a weak point: the dodongo’s tail. The inherent problem with this is that standard D&D doesn’t have facing rules. Therefore, “getting behind” the dodongo in order to attack it is superfluous. Instead, I decided to add a trait called “weak point,” allowing the player to bypass the dodongo’s damage resistance by suffering disadvantage on their attack roll. Simple, and appropriate.

But that doesn’t mean it’s not problematic. Continue reading “Monstrous Monday: The Dodongo”

Why D&D Needs Zendikar

So…the big announcement from the folks over at the D&D offices was the release of the free setting Zendikar. Now, many people heard the word “Zendikar” and thought, “what the hell is that?” I was included in that number. However, the moment I clicked on literally ANY link or article, I understood. Zendikar is one of the many planes native to Magic: The Gathering.

“Ah…” I said to myself, now understanding the gravity of this announcement. “Took you bastards long enough.” Continue reading “Why D&D Needs Zendikar”

Monstrous Monday: Night of the Living Redead

This whole “Design Zelda Monsters” thing is proving to be an interesting experience. See, as similar as many video games and tabletop games are, there are still inherent differences in the way we treat tactics and tone within games. In a video game, tone is often established by visuals and sound. At the table, we have a very different view of the world. If we see it at all, it’s usually from a god’s-eye perspective. We invent a lot of what we see in our own minds. Similarly, tactics are often very different in a video game where you’re dealing with active, mobile characters rather than turn-based tactical movement.

Therefore, when designing a monster like the redead from Zelda, I had an interesting task ahead of me. I had to create a monster that functioned mechanically like the redead. But I also had to create something that felt like a redead. I wanted to give the players the creep-factor of simply seeing it standing in a tomb, unmoving. But I also wanted to establish the shock when it screams and freezes you in place, and the slow horror as it approaches. Continue reading “Monstrous Monday: Night of the Living Redead”

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